SEPTEMBER 4 - OCTOBER 2, 2020

In his solo exhibition “Self-Reflected Universe”, Brian Colley explored variations on the self-portrait as interpreted through both an intimately personal and existentially cosmic lens. Primarily showing acrylic on panel works as well as some watercolors, Brian chose to paint self-portraits as a way to examine his own experiences of sudden loss, change, and personal growth over the past couple years.

AUGUST 7 - 28, 2020

The work in Natasha Seedorf’s “Intimate Geographies” solo exhibition was about inner landscapes; about memory and emotion; about place and a sense of belonging to it.

AUGUST 7 - 28, 2020

Philip Tarlow has made hundreds of landscape paintings over the course of his career, but this was the first time he had made paintings of a landscape in motion. The water in the creek was in constant motion, and the forms and colors that emerge were based on his kinesthetic memory of the many plein air paintings he’d made sitting nearby.

JULY 17 - AUGUST 28, 2020

Local photographer George Hendrix shared his window on the Carbondale Wild West Rodeo where bull riders, barrel racers, ropers, bronc riders, and mutton busters entertain each summer at one of the most unique melting-pot social gatherings in the Roaring Fork Valley.

JUNE 5 - 26, 2020

Matthew Eames’ “Forever Until Tomorrow” showcased a variety of sculptures that play with scale in relation to the human body. The space was occupied by works comprised of multiple components and media, inviting the viewer to contemplate their relationships to built structures.

JUNE 5 - 26, 2020

Alissa Davies’ “Angel Places” depicted locations that had been a part of Alissa’s life that sparked life force, that rippled with magic and meaning and that were imbued with beauty, strength, and/or challenge. The focus was on natural environments, and her paintings were translated into abstracted landscapes.

MARCH 6 - 27, 2020

Andrew Rice’s mixed media work in “Accessed (Means of Entry) investigated the psychological implications of the spaces that keep us alive but also prevent access from outside surroundings.

MARCH 6 - 27, 2020

Elizabeth Morisette’s work used recycled or repurposed materials, drawing viewers in to experience these often common objects in a new manner.

SEPTEMBER 12 - OCTOBER 4, 2019

This retrospective features long-time local Jack Brendlinger’s bronze sculptures which are produced with the lost wax technique. With age, his work has become abstract, gravity defying, modern, and filled with whimsical characters.

SEPTEMBER 12 - OCTOBER 4, 2019

A solo exhibition of Etar’s transcultural journey through fabric, highlighting her experiences working with locals in Peru, Bolivia, Uzbekistan, Dubai, and many parts of Europe as well.

AUGUST 9 - SEPTEMBER 6, 2019

Textile artist Julia Crocetto’s experiences are rooted in her inquiries of the Greater West, specifically areas that are or have been known as Frontier Lands.

MAY 3 - 31, 2019

Yellow for Frances is a series of paintings by Eden Keil continuing an exploration of the landscape through an abstracted and personal lens.

APRIL 5 - 26, 2019

Robert Martin’s exhibition featured the transition from his earlier sculptural practice to his current work with painting in a retrospective. His dioramas were carved from a variety of woods using hand and power tools.

APRIL 5 - 26, 2019

"National Parks Development" was a parody about the development of the natural world. The exhibition featured alternative uses for the National Parks and nature, turning national treasures into recreational, industrial and commercial facilities.

MARCH 1 - 29, 2019

Mixed media artist Jeff Stevens’ "It Was Dark Inside The Wolf" artistically explored our daily consumption of visual information through mixed media technique and collage.

MARCH 1 - 29, 2019

Saxon Martinez’s “Site 1” installation explored the artist's past as well as his future. Questioning the origin of his ancestors helped him understand who he is and aided in a greater understanding of other Latin cultures.

OCTOBER 12 - NOVEMBER 6, 2018

In Kirk's most recent body of work “The Near Distance”, Kirk had given the model an averted focal point for their eyes, so they are not fully engaged by the camera. The result was intimate in its study of the likeness but left a void.

OCTOBER 12 - NOVEMBER 6, 2018

Surrounded by dark cave walls as they explored, guests to Vallee Noone’s full-scale immersive installation "Where the Light Gets In" investigated cracks of light and found hidden elements, expanding their perception of the space.